Is Your Website Still Sporting a Mullet?
Wednesday 9/7/11
Is your website starting to look like it was born in the 90’s? WAS your website born in the 90’s? If so, it’s definitely time to start thinking about a redesign. You didn’t think that site you had designed a millionty years ago was going to work for you forever, did you?
Every business that has any kind of web presence will need to update their website every few years to stay current with trends and new technology. The nature of your business may have evolved over the years, or your old design might be a little outdated. Think of it as being like changing your hairstyle every once in a while. Nobody should still be sporting a badass ‘87 mullet, for example. What was once awesome (arguably, mullets were never awesome but that’s beside the point) does not always stay awesome.
But before you call us, you need to get your ideas together first since redesigning your website can involve a lot of decision making. Today, we bring you a list of some of the things we’re going to talk to you about when you come to meet with us. Consider it a cheat sheet to make you super smart and savvy.
It’s good to be prepared, GLAD WORKS friends.
1. What are your goals for your new website?
Ask yourself what you want to accomplish with this redesign. Do you want better functionality, better design, improved SEO? Do you need new content that includes new services or products? You need to have clear goals as they will be what drives the whole project.
2. What does and doesn’t work about your existing site?
Go through your site and approach it from a user’s perspective. What works? What doesn’t work? Is it user friendly? There are bound to be some elements of your site that work really well and some that don’t. For example, you might have a totally rockin’ photo gallery that people enjoy looking through…IF they can find it. In that case, you want to keep that gallery, but make it easier to find. Keep looking back at your goals as you go through your site to make sure you have a clear picture of what’s going to help you meet them and what’s not. Try not to be emotionally attached to things. If they’re not working, no matter how cool you think they are, they have to go. Sorry.
3. Has your brand evolved since your last website?
Brands change over time. Maybe you’ve expanded your services and products, or maybe your image has changed a bit since you first set out. Now is the time to think about where you are today compared to when you last had your site designed. What has changed about you and how should your new site reflect that? You may be looking at a total re-branding, and now is the time to do it—a whole new you complete with a shiny new website! BAM! Check you out!
4. Are you still loving your color scheme and logo?
If your brand has changed, the image you want to project has probably changed too. That image is projected through the colors you choose and your logo (among other things). Maybe your logo just needs to be tweaked a little bit, or maybe your color scheme needs to reflect your new identity. Look back to your goals as you ponder aesthetics.
5. How is your site being used?
Are your customers mostly accessing your site from their phones? If that’s the case, you need to think about making your new design responsive. Do your customers like to interact with certain elements of your site? You might want to consider gamification to keep them coming back to you. Study your site analytics to help you understand how visitors are finding you and what they’re doing once they get there. This will give you a clear picture of how people are interacting with your site and what changes you need to make to enhance their experience. If you have no clue how to get site analytics, we can do that for you and help you interpret the results. No worries.
There are many other things to think about too, but these are a few of the big ones to help you get started. Remember that making the transition from the old site to the new one might be off-putting to some people, so you might want to include a blurb somewhere explaining that you’ve improved your site and encourage them to check out your new look!
Responsive Web Design: It’s Mmmagical!
Wednesday 8/17/11
Why are we boring you guys with this topic?
Because if you’re thinking about having a website designed, this is definitely something you want to consider, so listen up peeps! Plus it’s wicked cool, so there’s that too.
Before we get into telling you what responsive web design is, go here and slowly make the desktop browser thinner and wider. Do you see how the layout magically changes to fit the new width of the browser? See how you can make it really small and skinny just like the screen on a smartphone?
Go ahead. Play around with it and try not to get distracted by all the cool apartments featured on that site.
We’ll wait…
This is most excellent in a flexible and fluid-y sort of way, isn’t it? It’s kind of like yoga for websites.
That’s the point behind this whole responsive design shebang. Here, let us explain.
As you’ve probably noticed, computers aren’t the only things with web browsers anymore. Many of us now have mobile devices and there’s a whole “mobile web” out there that web designers have to contend with. People expect to be able to look at a website from their phones with the same ease and clarity as they can on their desktop computers. If you’ve ever tried to look at a website from your phone, you know it doesn’t always turn out very well and it can be a supreme pain in the tookus.
In fact, you might even get frustrated and either go looking for a site you CAN see on your phone, or just forget the whole thing and go do something else.
In response to this problem, web designers started creating mobile versions of their websites. This meant that there were two different versions of these websites—a mobile one and a desktop one. And that was just ducky and it worked out fine until things started to get interesting when devices like iPads and netbooks started appearing in people’s hands. The heads of web designers everywhere collectively exploded.
It was gross.
AND THEN!
People started buying all of these gigantic, high-resolution displays and web designers took to the streets in protest and threatened to break the Internet forever if somebody didn’t stop the insanity!
No they didn’t.
But clearly, something had to be done because these poor web designers couldn’t possibly design a site for every single stop on the now huge spectrum of screen sizes and resolutions. It’s getting bigger every day and it’s impossible to create different versions of a website that targets each and every kind of device on the market.
In response to this, web designers (specifically This Guy), have adopted this responsive web design thing so that no matter what kind of device a person might be using, the elements of the web layout can be squeezed or stretched as needed to fit the size of the screen, and everything will still be readable and look pretty.
Cool, right?
So why do you care about this? After all, you’re not a web designer. But you ARE (maybe) a business owner who could lose customers because your website might not work on their particular device.
Right?
You’re feeling where we’re going with this, aren’t you?
So, if you’re thinking of creating a website or updating your old one, this is something you should be thinking about doing because when you’re accessible from anywhere, you are accessible from anywhere.
I think we can all agree that is a very good thing.
PS: Our web designers’ heads remained intact during The Great Head Exploding Incident. They are unflappable!
Designing Websites For Kids: This is a Really Boring Title
Wednesday 7/13/11
Did you guys know that we design websites?
You did?
Oh.
But did you guys know we can design them for kids too and not just grown-ups?
No?
Well, we can! In fact, we even have a children’s illustrator on our team (who may or may not also be in a Kiss cover band)! Designing for kids is really fun because it leaves us plenty of room to let our imaginations and creativity run wild. We get to use all kinds of fun colors and fonts that would never fly on a website designed for adults because adults are boring. There. We said it. Somebody had to. Maturity is completely over rated.
Anyway, we love doing kids’ site because sometimes we discover that we have some previously hidden talents! In fact, some members of the GLAD WORKS team have provided voices for the characters on a site we’re working on at this very moment!
But there’s more to creating websites for kids than using fun colors and doing goofy voices. They’re pretty sophisticated little people, and you have to be aware of that when you’re building a website that will entertain, educate, and keep them coming back. We thought it would be fun to put a few things together, just in case any of you out there are thinking of designing a children’s website. It seems like so many folks these days are working on writing a children’s book, but how many are designing websites? Not nearly as many, so this could be your million-dollar moment, we’re just saying…
Get ‘em hooked with great design
The first thing that captivates a kid when she visits a website is the design. You throw some funky colors and cool, easy to read fonts up there and you’ve already gone a long way in creating that initial attraction. But, it can’t be too complicated or they’ll get overwhelmed and just sit there nose mining instead.
Kids like stuff that moves
Children are fascinated by animation. Even that popcorn-munching sheep that appears when your computer clones a DVD will keep a two-year-old interested for seconds, maybe even a whole minute! A busy parent can get a ton of stuff done in one minute, and if somebody’s kid is entertained AND educated by something you’ve created, SCORE! There’s a great chance they’ll be steering that kid back to your website so they can load the dishwasher or OMG, phone a friend! You might also consider throwing age appropriate videos in the mix, too. Just keep attention spans in mind when planning the length of the video.
Keep it simple
You can have the most wonderfully imaginative and colorful site in the history of ever, but if it’s not easy to navigate, you’ll lose the wee folk for sure. Although some older kids are amazingly adept at using the computer, others are just learning, so websites designed for them should be as easy as possible to navigate. The PBS kids website does a great job with this. It has just two options—videos or games. One click gets kids where they want to be without a lot of reading. Things at PBS kids are represented both visually through pictures of favorite PBS characters, and by sound. When you hover over a character, they say the name of the show they’re on. This is fantastic for pre-readers and it provides them with a rewarding, self-guided experience.
You’ve got to have music, music, music!
Children go crackers over silly sounds and catchy tunes. They can sit there and just keep playing the same thing overandoverandoverandover again. Just make sure the sounds aren’t going to make parents’ ears bleed so they won’t be tempted to take a chainsaw to their computer. If that happens, you can bet they won’t be visiting your site anymore, just so you know.
Interaction and games
Lots of kids learn best through interaction and games, so those things should be a big part of the website too. However, you need to have games suited to different skill levels, otherwise kids will need help and they’ll interrupt mommy or daddy while they’re loading the dishwasher and parents hate that. Help a momma out and make it easy for the little tots to be self-sufficient. It helps their self-esteem, it makes parents happy, everybody wins!
Learning is good. We like learning.
Perhaps the most important thing to keep in mind when designing a kid’s website is that it should be comprised of mostly educational content. It’s got to promote learning through all the things we’ve talked about-- music, graphics, animation, video and games. If it’s not stimulating and beneficial, it’s not going to do well.
So that’s the skinny on designing for kids. Don’t forget that the best way to be sure you’re getting it right is to have some kids come in and check out the site while it’s still under construction. Observe how they interact with it and make adjustments when you need to. After all, who better to tell you if your site is kid-friendly than a kid?
Nobody. It’s one thing to remember being a kid, and quite another to actually be one.
Those are words of wisdom right there. Write that down.
PS: Next week, we’ll tackle Google +! What’s all the fuss? + and fuss totally rhyme. We’re talented.
Smile... You're On the World Wide Web!
Tuesday 3/31/09So, is a picture really worth a thousand words? If the picture's on your website, it could be worth ten times that many.
Considering that the average visitor spends less than a minute on your website, the design of your site needs to quickly and easily communicate who you are and what you do. When you have a small window of time to say, "I am a friendly, thoughtful, customer-service-oriented business with happy customers," good quality images may be the perfect way to do it!
Including images in your website design is like hanging pictures on the wall: your house may not look bad without the pictures, but it can look so much better with them. Using imagery on a website adds color, breaks up monotonous text, and helps frame what is most important on the page. And using photography to make the site look better means visitors will stay longer... always a good thing.
But how do you decide what images to use? And how much will this cost anyway?
There are a number of options available to suit any size budget...
- Smile! You can choose to hire a photographer to shoot some photos that are exactly what you need. If you make a specialty product or own some unique manufacturing equipment, or if your facility or your staff can be a draw for your prospects, this option may be the most effective one for you. A good photographer will provide you with a library of images you can use for your website, print collateral, annual reports and for a wide variety of other uses. (Just be sure to tell them what you're looking for, so you can get what you need.)
- "Today, the stock market stayed steady..." Another option is to purchase stock photography. And even here, there are two distinct camps: rights reserved and royalty-free.
Rights reserved images are photos that are available for sale by photographers or agencies. The prices can vary dramatically, but if you need a particular high-quality image for a specific purpose, it can be money well spent. Keep in mind that when you purchase a rights reserved photo, you're paying for exclusive rights to use that photo in specific applications, so the cost depends on how you'll use it. You'll need to specify the details of how, when, where, and how often the image will be seen when ordering.
Royalty-free images are photos available for sale by agencies and online vendors. These photos can be sold individually or in sets (for instance, medical or hospital imagery), and are typically less expensive than rights reserved photos. The image quality is still quite good, but because you're not purchasing exclusive use of the photos, remember that the agency can sell the same images to a number of organizations.
A friendly reminder: it's illegal to use any artwork (including photography, clip art, illustrations or paintings) without permission.
When it comes to photography, size does matter.
In imagery, the important thing to keep in mind is the resolution. Just like high-definition TV, the higher the resolution, the sharper the image will be. Resolution is measured in "dpi" or "dots per inch". The higher the resolution (the more dots of color per inch of image size), the better the quality of the image.
For your website, the image resolution standard is 72 dpi because that's the resolution of most computer screens. (If the image you have is a higher resolution, you can use a photo editing program to change the dpi.)
Remember... the images on your site are intended to entice visitors to stay a while, so think about what images will keep people on your site long enough to find out what a great company you are!
Next month, join us as we discuss some e-marketing options you can use to drive more traffic to your site.
Whether used in print or online, designing an ad is all about one thing: delivering a message that drives a prospect to become a customer.
Most companies change their ad designs over time to reach new and changing audiences. As your company's profile changes, your market matures, and your product offerings grow, your advertising and marketing efforts should evolve to suit your needs.
You know that your audience has a finite amount of attention, so you want to make it worth their while to give you some of it. To that end, it's important that your message be succinct and simple.
Here are four tips for keeping your ad on-target:
- Is it big enough? Keep in mind the size of your ad. The message you can communicate in a full-page ad is somewhat different from the message you communicate in a one-column filler ad. And determining content for that 100x160 pixel web ad calls for a different approach than designing a popup window with animation. Small ads can work well, so talk to your agency about ways to make less look like more.
- What do you want it to do? What business problem are you trying to solve with this ad? Answering that question drives the content for your design. If you're looking for more visits to your store, invite people to it. If you want people to remember the name of your new product, make it look and sound appealing. If you want to announce a new service you're offering, say that.
- How important is it? Not everything in your ad will be equally important, so keep that in mind when creating your ad. Think about what will sell your message and focus on that, then prioritize the rest of your info and plan accordingly. If you're selling web design services, you probably want to direct prospects to your own website, so make that part of your ad prominent.
- Does it look right? Keeping in mind the business problem you've just identified and the audience you want to reach, be sure your design concept demonstrates the right message. The point of advertising is to communicate a message, so don't fall in love with form over function. It's important to communicate both verbally and visually, so if you're talking about how your organizing system minimizes the chaos in a customer's life, don't use an image of a person with a messy house.
Work closely with your agency to learn more about how to create an ad that is appropriate to your audience and that causes your prospects to become customers.
Next month, we'll discuss ways to get the most from your radio and TV marketing.
Does Your Targeted Mail Hit the Bullseye?
Thursday 7/31/08With the prevalence of email, text messaging and IMs, it seems hard to imagine that conventional mail (a.k.a., "snail mail") could be an important marketing vehicle. And yet, millions of dollars are spent by companies each year to create direct marketing pieces that deliver an experience right to your door.
How do you know if you should reach out and touch someone in their mailbox? Just ask yourself three questions:
- Do you want to touch them? If you want to market to a particular geographic area, direct mail may be your best bet. There are dozens of mail list services that sell lists segmented in a variety of ways. If you're a pizza shop that offers delivery in downtown Cleveland, you can send your menu to potential customers in your city, or even in a specific zip code.
- Do you want them to touch something? If you want to send a "thing", direct mail is the way to go. Does your mailing include a coupon? A logo'd magnet? A free gift? There's a reason that Easter Seals sends out those preprinted address labels year after year.
- Do you want them to do something? If you want your customers to connect you to your mailing, this method could be the perfect option. Whether that means sending a refrigerator magnet in your mailing, offering a special discount to shoppers who bring your postcard into the store, or including a scratch-off prize to a number of "winners" to encourage visits to your restaurant, the mailing should tie directly to your promotion and your company.
Assuming you have good reason for entering your prospect's home or work space, what should your direct mail piece look like?
There are dozens of books, blogs, websites and experts who all have opinions about what works and what doesn't. If you don't have time to collect the wisdom of the ages and distill it into a few simple rules, no need to worry; we've done that for you here.
Unlike digital media, direct mail actually shares time and space with us. Your prospect can see and touch it. And with the wide range of design methods and printing technologies, the options for creating a unique and appealing campaign piece are limited only by your (or your agency's) imagination.
Five Rules to Direct Mail Excellence
- Say what you mean. Then, say it again. And close by saying what you just said.
- Use a great designer. If you skimp on the look, no one will read your mailing. Trust me.
- Find the people you want. Make sure you know who you want to reach and where they live, work and/or play.
- Keep it simple. Only Publishers Clearing House gets away with complicated mailings.
- Don't shower them with love. Make sure you have something to say that's worth the time, effort and expense of creating a mailing.
Creating a winning direct mail piece can significantly impact your bottom line (plus or minus), so work with an agency that's designed mail you would read, and let their expertise work for you.
Next month, we'll deliver the primer on how to create winning print ads.
No Love for No. 9
Friday 10/19/07The Ventura County Star is reporting that their local congresswoman is taking aim at women's mags. Capp's wrote an editorial on Friday, denouncing a number of women's magazines with young female readership for carrying ads (pictured here) for Camel No. 9, or more specifically, for ignoring her letter signed by 42 members of congress imploring them not to run the ads. But should we share her disappointment? Do women's mags like Vogue and Allure and Cosmo Girlreally "set trends for the country, and have [they] historically served as respected sources for articles on women's health and fitness"? Shockingly, she noted that "all of these publications seem to care more about their bottom lines than the health of their readers."

In response to two letters Capps sent to the publishers of 11 leading women's magazines (one in June and a follow-up in August) asking them to voluntarily stop accepting advertising for Camel No. 9, seven eventually wrote back. "None of them promised to drop the ads," notes the Star.
In his response, Vogue publishing director Thomas A. Florio lectured that Congress should focus on creating guidelines for the marketing, distribution and sale of tobacco products rather than trying to 'bring pressure' on a magazine to 'forgo its legal right to conduct business.'
'Any other pressure or coercion to alter the legal right of any citizen or company doing business in America is at odds with the basic fabric of our country's value system,' Florio wrote.
Camel's new, feminine cancer sticks are re-imagined for a female consumer (the box is pink!). Camel realized its brand was woefully skewed towards the male sex, so it created No. 9 to “focus on products that are ‘wow,’ ” Cressida Lozano, vice president for marketing of the Camel brand told the New York Times [link requires free registration]. Lozano noted that No. 9 adds “fun and excitement to the category. What we’re about is giving adult smokers a choice,” Ms. Lozano said, “with products we believe are more appealing than existing products.”
Stay-at-home-mom Angela Rewis, 26, approved of the new choices offered to her. "They're a sweeter taste, and they don't stink like regular cigarettes. And I like the pack," she told NPR. "It's more for females, instead of carrying around a nasty, ugly pack."
TheAssociated Press outlined the two main arguments in May. While cigarettes are deadly,they're also legal, and publications with a readership of teen girls have the legal right to accept advertising from them. “I'm totally anti-smoking,but a marketer's job is to market and a customer's job is to decide what to buy,” Marian Salzman, executive vice president at the J. Walter Thompsonad agency told the AP. “If the message breaks through, then the marketer has done a good job.”
Minding their Ps and Qs
Friday 10/12/07
For the first time in 14 years,QVC is redesigning its image. The television shopping network recently launched a new logo as part of atotal integrated marketing campaign (the first of its 21 years) that aims tooverhaul QVC’s identity from the ground up.
The changes to the updated logo are hardly subtle. QVC went all out, changingits straightforward, plain red letters to a bold, teal Q that surrounds theclassic, simple QVC and resembles a ribbon ready to unravel. The new look hopesto appeal to QVC's target 35+ female audience by urging them to grab thatribbon, unwrap and enjoy the metaphorical gift that the network delivers. DesignblogBrandNew approves, noting "despite the unwatchable content (at least for me), thenew logo surpasses any expectations I may have had about QVC."
QVC’s new logo coincides with an entire campaign based on the first of its threecall letters. “We’d really like to own the 17th letter of the alphabet,” Jeff Charney, the chief marketing officer for QVC toldTheNew York Times. Consequently, the letter appears everywhere from thechannels' catchphrase “iQdoU?” (“I shop QVC, do you?”), to a line ofconsumer-friendly Qture products, to the creation of its first nationaltelevision ad featuring QVC shoppers and the tagline “Merci Beau Q.”Highlighting the distinctive Q to emphasize the social shopping experience,"said QVC presidentMikeGeorge, aims to tap into “smart, savvy shoppers” and get them thinking aboutthe “excitement and feelings” associated with shopping QVC.
Are those feelings enough? Companies like QVC should cautiously approach basingmarketing initiatives purely on dominant pop culture presence, warnsAdAge(free registration required for article abstract). Once the initial Q frenzywears off, will all those crazy Qs be enough to keep consumers' interest in anage of online shopping?
Cleaning Up in Aisle 6
Wednesday 9/19/07![]()
What's growing faster than Internet ad spend (and way faster than tv, print andradio)?AdvertisingAge reports that Shopper Marketing has doubled since 2004 and is on pace foran annual growth rate of 21% through 2010, making it faster than even theInternet juggernaut (which is rising 15% annually). As usual,P&Gis leading the pack among consumer brand powerhouses, spending at least $500million annually on shopper marketing.
From decals on the aisle floor to ads on the shopping cart, brands arescrambling to get closer to the point of purchase, increasing the chances ofinfluencing the purchase decision. "Shopper marketing is a new medium asimportant as the internet, mobile or gaming," Starcom MediaVest Group NorthAmerica CEO Renetta McCann told AdAge. MassoGroup estimates 80% of all purchase decisions are made in a retailenvironment.
Shopper Marketing considers shopper identity rather than brand identityaccording toHubMagazine. In the calculated labyrinth of the local grocery store, marketersconsider where products are located and what route customers take to get tothere. For example, by the time customers arrive at the detergent aisle theyhave a full cart, and it is much more convenient to pick up ALL Small &Mighty.
Nielsen isgetting in on the action, having recently announced a new system for measuringthe effects of marketing to an in-store audience. Dubbed PRISM (PioneeringResearch for an In-Store Metric), the project wasunveiledSeptember 27 at theIn-StoreMarketing Expo in Chicago. According toIn-StoreMarketer, "the measurement model predicts consumer reach by category or areaof the store, by retail format, and by day of the week, delivering unprecedentedinsight into the store as a marketing channel."
PANTONE Announces Cure for PMS!
Wednesday 9/12/07
Pantone recently announced it's launching the PANTONE Goe System, a new color matching system. According to their press release, the new orange cube contains the PANTONE GoeGuide, PANTONE GoeSticks, myPANTONE Palettes, plus the ability to travel through time. (Company president Richard Herbert asserts that "Just as the original System enabled the industry to step into its future, PANTONE Goe will impel designers and printers to stay competitive and versatile in today’s challenging and evolving marketplace.”)
The technology will undoubtedly impact the design world. As CreativePro notes, "it nearly doubles the number of unique colors, adopts a logical naming scheme, and comes with innovative color-palette software." With 2,058 versus 1,114 colors, designers will have more versatility. Converting to RGB will be a breeze (the numbers are right on the guide). This implicit dis against CMYK reflects what Designorati calls the interdisciplinary nature of today's design industry. Macworld describes Goe as "two thousand colors and a fancy cube," and notes that the new system will unlikely replace PMS overnight (sorry for the misleading title) since the PANTONE Matching System has been around for over 40 years, and that sort of thing takes time. However, one can assume that the process will be accelerated this time around when Goe becomes integrated into the new Adobe Creative Suite 4.
